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The Pointy End

Music Takes Center Stage In Oscar-Nominated Documentaries

Three documentaries up for Academy Awards Sunday place musicians front and center — and trace the profound impact that music-making has on the trajectories of their lives.


Audiences Identify Top Orchestras by Appearance More Than Sound

To enrich the visual appeal of symphony concerts, orchestras have experimented with a range of tactics: adding video screens to concert halls that show live close-ups of the conductor and soloist; ditching tuxedos in favor of more modern garb; or projecting video effects and silent films during a performance.


Why I joined a choir

What is it about singing in harmony with other humans that changes the way we feel and think?

The Globe and Mail

Musical anhedonia: why some people just don't like music

New research reveals that some people are incapable of having an emotional response to music.

The Telegraph

"J'écoute de la musique au bureau": 7 thèmes pour être plus efficace

Nous sommes nombreux à écouter de la musique au bureau pour différentes raisons : se décontracter, se divertir, se concentrer, s'isoler, s'aérer.

Huffington Post

Why I Invited Listeners to Snap Photos During a Concert

Whip out your cell phone and start photographing at a sporting event and nobody will notice – other fans are probably snapping photos anyway. But try that at a symphony concert and you'll be glared at – unless you're at the Detroit Symphony Orchestra.


Why Aren't There More Music-Related Oscars?

For far too long, music's relationship with the Oscars has been a one-way street.


Mapping Differences In America's Musical Tastes, State By State

Are you streaming music right now? If you're in America's Pacific region, there's a much better chance you're nodding along with Cat Power rather than grooving to Fantasia, which you'd be more likely to be doing if you were across the country in the South Atlantic.



Rubbish music: why we judge others for their musical tastes

It's common to judge someone based on the music they like, despite musical preference being largely subjective. But why do musical tastes differ so, and why do we feel the need to criticise those with tastes that don't match our own?

The Guardian

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