Policy, Research & Politics
Disco Demolition: the night they tried to crush black music
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- Tuesday, 20 August 2019
When a DJ called on listeners to destroy disco records in a Chicago stadium, things turned nasty – and 40 years on, the ugly attitudes behind the event ring out loud and clear.
Une chanson sur le ramadan crée la polémique au Danemark
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- Tuesday, 20 August 2019
Avec Ramadan in Copenhagen, le rappeur Isam B. veut raconter le Danemark du point de vue d’un musulman. Mais il ne fait pas l’unanimité.
Baghdad beats: Meet the Shia rappers raising the roof
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- Tuesday, 06 August 2019
How an Iraqi cleric is creating a storm by urging his followers to rap for their religion.
What Is Spotify Thinking With its ‘Dance Like Nobody’s Paying’ Ad Campaign?
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- Tuesday, 06 August 2019
To promote a free 30-day promotion on its premium platform, Spotify recently launched an ad campaign featuring a hipster euphorically dancing next to the slogan “Dance like nobody’s paying.”
In Brazil, Baile Funk Is Still Maligned Despite Its Success
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- Tuesday, 06 August 2019
Baile funk is one of the biggest Brazilian cultural phenomenons of today. However, despite the success, the millions in income it generates, and the various artists who share the top of the charts (like the now world-famous singer Anitta), it’s still a musical style that is severely criminalized and persecuted.
Can music unite a young nation?
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- Tuesday, 06 August 2019
A third of Latvia’s culture budget goes on music education and a new festival aims to galvanise national identity.
Thirteen seconds of chaos that forever changed rock history
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- Tuesday, 06 August 2019
In the shadow of the Rock and Roll Hall of Fame is a rather unassuming sculpture that could be in the Hall itself.
Bad Bunny arrête la musique indéfiniment en soutien au peuple portoricain
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- Tuesday, 06 August 2019
Bad Bunny estime que le moment n’est pas propice à la musique, et qu’il est temps de provoquer un changement pour Porto Rico.
Here’s what’s missing in music education: Cultural and social relevance
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- Tuesday, 23 July 2019
Being culturally responsive means having students write and record the music they practice, not just playing it onstage at a holiday or end-of-year concert.
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- Exiled Thais behind protest music fear for their lives in Laos after spate of disappearances
- Alternative music bands struggle for place in Egypt’s music scene
- La politique et la musique en République démocratique du Congo
- Massive choir a place for Estonians to find identity, solace
- South Korean Protest Music Is Inspiring Hong Kong’s Demonstrators
- Female Musicians Banned From Playing