Music industry

Why a us legal ruling over an ai-generated cartoon has major implications for music’s future

Last week, in a significant blow to the IP rights of creators who use generative AI, the US Copyright Office (USCO) refused to grant a copyright registration to AI images in Kristina Kashtanova’s Zarya of the Dawn comic (the Work), which used Midjourney generative AI art.

Music Business Worldwide

En Afrique, les festivals de musique peinent de plus en plus à trouver des financements

Les festivals de musique se comptent en centaine sur le continent africain. Malgré cette vitalité, ils sont confrontés à des difficultés croissantes de financement, surtout depuis la crise du Covid.

RFI

La piratería digital sigue plagando la industria de la música

Según un nuevo informe de la Oficina del Representante Comercial de los Estados Unidos (USTR) sobre «Mercados notorios de falsificación y piratería» (NML), existen siete sitios web que representan una amenaza para los creadores de la industria de la música, el mismo número que en 2022.

Industria Musical

Inside the fight to fix streaming

Artists have grown increasingly dissatisfied with the royalties they’re receiving from streaming services, and with live performances, once the backbone of many artists’ incomes, becoming increasingly less viable as a reliable source of revenue, more pressure is being placed on streaming to make up the shortfall.

Music Radar

YouTube launches its new commercial music licensing resource, Creator Music

YouTube today announced its new marketplace, Creator Music, is now fully open to all YouTube Partner Program participants in the U.S.

Tech Crunch

‘The MENA region will become a pioneer in the music industry.’

According to global recorded music body IFPI, recorded music market revenues in the Middle East and North Africa grew by 35% in 2021, making it the fastest-growing music region in the world.

Music Business Worldwide

Vente de catalogues : la musique est-elle devenue un produit financier comme un autre ?

Bruce Springsteen, David Guetta, Bob Dylan... De plus en plus d’artistes de renommée mondiale vendent leur catalogue à des fonds d’investissements, dans le but de faire fructifier leur œuvre avant qu’elle ne tombe dans le domaine public. Que ces rachats nous disent-ils de l’évolution économique de l’industrie musicale ?

Trax

Justin Bieber vende los derechos sobre su música

Hipgnosis Song Management negoció todo en nombre de Hipgnosis Songs Capital, que es la sociedad de Hipgnosis con el equipo de inversión Blackstone. Aunque es un trato extenso, con Hipgnosis también asegurando la parte de los ingresos editoriales del artista, el precio es particularmente impresionante dado que Bieber solo tiene 28 años.

Industria Musical

Spotify’s Future Isn’t Exclusive Podcasts. It’s Advertising

More than 450 million people use Spotify, and almost 200 million people pay for it. But it still loses money.

Bloomberg


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